![]() This month, the organisation releases its first publication, Dive, which explores the act of diving as a metaphor for transcending through the work of four contemporary artists. William, 2022, by Harley Weir, from the David Lynch Foundation’s book Dive Lynch launched his eponymous Foundation in 2005 to help make the practice available to more people who might benefit from it. ![]() The process has become part of the director’s creative life too – he has described how the idea for his 2001 mystery movie Mulholland Drive came to him following one session. The first book from the David Lynch Foundation explores transcendental meditation through artĭavid Lynch first tried transcendental meditation in July 1973 and has since practised the method, which uses a repeated mantra to access a deep state of relaxation, twice a day, every day. By focusing on the cut of a trouser leg, the curve of the waist or the fall of a sleeve, Calmese evokes Dior’s hyper-feminine midcentury New Look – working to “repopulate the landscape of black imagery and understanding that’s been told to us”, he writes.Īs We See It: Artists Redefining Black Identity by Aida Amoako is published by Laurence King Publishing at £30 ![]() 155, 2014, by Dario Calmese © Dario Calmese/Trunk Archiveįor the series, Calmese styled and photographed Turner in her own collection of silk brocade gowns, vintage furs and leather gloves. The resulting photographs, taken between 20, now form part of As We See It, a new book that brings together 30 artists, including Campbell Addy and Nadine Ijewere, who are interested in exploring different narratives around black cultural identities.Īmong Friends No. ![]() Struck by her style and poise, he decided to make Turner his sole subject instead. Photographer Dario Calmese was at an Abyssinian Baptist Church service looking for hats to photograph when he first saw the vintage fashion collector Lana Turner. ![]() Portraits of Baptist churchgoers form part of a book exploring black cultural identitiesĪmongst Friends No 29, 2012, by Dario Calmese © Dario Calmese/Trunk Archive ![]()
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